Late at night certain people stalk the Internet, doing irreparable harm to their psyches and those of their families. They cruise from site to site, soaking up fantasy after fantasy, and with each click of the mouse they take one more step away from reality and one step closer to a life of dissatisfaction with their own circumstances. I am referring, of course, to women who blog surf. (Who did you think I was referring to?) Now before you get your modems in a twist, let me say that I have several friends who find blog surfing very edifying. They search out or stumble upon people facing enormous challenges with great faith and courage. It is not these to whom I refer. I am talking about those of us who plop down at our computers, the remnants of dinner still in our hair and the chaos of a maddening day still ringing in our ears only to reach a new personal low by visiting site after site depicting picturesque families, all wearing color-coordinated clothing, strolling through apple orchards and tenderly ministering to the elderly. Now if I actually knew these families and could put these picture-perfect days in the context of so many not-so-picture-perfect ones, this would probably not be a bad thing. Sharing in the memories of my friends, right? Certainly it is not the intention of these bloggers to make me feel inferior or subhuman. (Okay, maybe some of them do actually intend to make me feel bad, but that is a small minority; and we all see through their pettiness anyway, right?) Whatever their intentions, however, this harmless pastime can easily slip into a sinister addiction. One minute you are catching up with old friends, the next you are blog-stalking perfect strangers. Look! I did it just now. I got stuck on what to write next and started thinking about someone I wanted to know about. Soon I wandered away from her blog to read about the Thanksgiving traditions of someone I don’t even know! This is not just a harmless pastime—this is mommy porn!
Now perhaps you think pornography is too harsh a term for what you might call “taking a more than passing interest in the lives of people I don’t actually know.” But to me, it is the effect of this “passing interest” that lands it in the destructive rather than constructive category of ways to spend your time. What is it about sexual pornography that erodes fidelity and wreaks havoc on so many lives? Isn’t it the supplanting of reality with fantasy, the replacing of the real with the unreal? Let’s be honest here. One of the main reasons men (and I suppose women, too, though the idea really does take a stretch of the imagination for me) look at pictures of surgically-created and airbrush-perfected bodies is to escape the child-bearing created and age-imperfected bodies of their spouses. (I recognize this to be an over-simplification but let’s save psychoanalysis of the male mind for another day, shall we?) Similarly one of the main reasons women take such strong interest in the lives of strangers is to escape the all-too-imperfect and often mundane world in which they dwell. It really doesn’t matter whether or not the people whose lives they are peering into are celebrities or everyday folk. Maybe they read endless articles about whether or not Brad and Angelina are going to adopt triplets from Malawi or they obsessively follow Sue-the-Supermom’s trip to Washington D.C. with the kids and hubby this summer. In either case it’s just the siren call of something different, something outside of ourselves.
The reality is that Brad and Angelina get up every morning and put their pants on one leg at a time like the rest of us, albeit very expensive and excessively small pants. And Sue-down-the-street may have had a family bonding experience that was out of this world but that doesn’t mean that she isn’t yelling at the kids while making oatmeal right now. So maybe rather than lusting after the adventures and successes of others, we should look for the little stand-out moments in our own lives and take pleasure in the reality right in front of us. While there is something intoxicating about the unobtainable, there is something to be said for the bird in the hand. After all, that’s the bird we have been given even if it might not be a perfect bird and it might even bite our hand or poop on us now and then. Maybe we should start a new blogging trend—the color-uncoordinated, picture-imperfect blog. The posts would be all about the time the three-year-old laid down in the middle of the grocery store aisle and refused to budge. Or the story behindyour beautiful Christmas card picture—how you let one kid out of timeout early so he could get back in the picture or you made one cry because you lost your patience and asked in a less than kind voice why she was ruining the picture and finally ended it all by bribing them with early morning slushies if they would just all smile. Or…maybe not. Just remember Brad, Angelina and even Sue-the-Supermom get pooped on too. They’re just smart enough not to blog about it.

Cranes Are Flying: I fear this 1957 award winner was the only movie of substance I managed to watch this month. (I’ve been too busy catching up on Castle, I’m afraid. It’s no Firefly, but this detective show will definitely do. I liken the experience to visiting your local grocery only to discover they are out of your favorite Ben and Jerry’s flavor and being “forced” to buy your second choice. It’s not New York Super Fudge Chunk but it will certainly hit the spot.) But if you are only going to watch one foreign film a month, this should definitely be one of them. Set in Moscow at the outset of World War II, Cranes are Flying is breathtaking in its simple tragedy. Weaving the story of star-crossed lovers Veronika and Boris with the national story of Russia during the war, it is poignant without being melodramatic. One can’t help but wonder if this seemingly patriotic film had a deeper message of the tragedy of life under communist rule. The final scene is a bit propagandistic but doesn’t defeat the overall beauty of this classic.
The Ugly Truth: Ugh. I am not sure I have much more to say about this film. How can a movie with Katherine Heigl, whom I appreciate for her no-holds-barred approach to comedic acting, and Gerard Butler, whom I just love to watch, be bad? Poor direction, muddled logic, and bad writing, for starters. Take my advice and go watch The Proposal again. Or better yet, go check out some classic romantic comedies made during a time when people knew how to respect both love and comedy. Here are just a few of my faves: Pillow Talk, That Touch of Mink, and It Happened One Night.
Whatever Works: Whatever works, it certainly isn’t Woody Allen’s latest movie. Starring Larry David, one of my all-time favorite cynical innocents, this film fails on so many levels it’s hard to know where to begin. I don’t know why I keep punishing myself by continuing to dream the impossible dream, which is that Allen will come to his aesthetic senses and start making real art again. The irony of this film is that unlike some of his more recent offerings such as Match Point and Cassandra’s Dream, it has a happy ending; and that’s the problem. There is no longer any tension in Allen’s filmmaking, no struggle to understand the meaning of it all. I guess the title sums up his shoulder-shrugging resignation to the meaninglessness of life. And I don’t think I’m just bitter over his shallow depiction of southerners and Christians (each of whom is either moronic, hypocritical, repressed, or all of the above).
Japanese Story: Perhaps I was mistaken earlier when I said I had watched only one film of substance this month. A more correct statement might be that I watched only substantive film that I liked this month. There are some movies that I dislike because they are flawed in some way that makes them ultimately self-defeating as art. In these cases, I can point to particulars that lead me to discredit, disparage or simply “dis” the movie and its makers. Others evoke such strong emotional responses that it is difficult for me to determine whether the movie is of poor quality or I just don’t like it. Japanese Story is one such film. The acting is good (it stars Toni Collette, so the quality her performance goes without saying), and the writing isn’t bad. Nevertheless, this was not an enjoyable viewing experience. I am certainly able to appreciate movies in which the characters share a different moral perspective than I, if that perspective is truthful in its presentation. So my distaste isn’t entirely due to a conflict of worldview. Actually, the film seemed to have no moral perspective at all, and perhaps this is what bothered me. All I can say is that at the end of the movie I thought, “Well, that was a waste of time.” After all, I could have been watching Castle.
months ago, Obama’s so called “Green Jobs Czar,” Van Jones, resigned from his post following furor over his sympathies with Marxism. Fox News, more particularly conservative
commentator Glenn Beck, led the charge in exposing the Marxist stripes of these two Obama appointees. And it has been interesting to observe how among other media sources more attention has been given to Fox’s “outing” of these two Marxist sympathizers than to the fact they were in the Obama administration in the first place.
This past week I finished reading a book about the power that is unleashed when we choose to look past our differences and extend the hand of friendship to those with whom we seem to have nothing in common. Same Kind of Different as Me by Ron Hall and Denver Moore is one of the most moving and honest books I have read in a long time. A chronicle of how a homeless black man from the deep South becomes friends with an international art dealer, Hall and Moore tell their story with refreshing honesty and humility. I don’t want to say anything else about the book other than that you should read it.
Set in German-occupied France during World War II, Inglourious Basterds depicts two (wildly fictitious) plots to assassinate Hitler and his Nazi cronies. One of these plots is executed by a ragtag vigilante team of Jewish-American soldiers. Led by Aldo “The Apache” Raine (played by Brad Pitt), the group terrorizes Nazi soldiers by scalping all of their victims and disfiguring the few survivors. The other plot is masterminded by one Shoshanna Dreyfus (Melanie Laurent). Shoshanna and her boyfriend run a cinema in Paris. When they learn that top Nazi officials, including the Fuhrer himself, plan to attend a premier at their theater, they concoct an assassination scheme that is as ironic as it is devastating. Eventually, these two storylines converge, and the results are spellbinding.