Waking Up

Years ago, as a young mom and aspiring author, Jen Hatmaker was all that I wanted to be. I saw myself in her frazzled authenticity, her flair for the dramatic, her diving in headfirst approach to life and faith. I was disarmed by her self-deprecating humor, which was such a breath of fresh air in the evangelical world of stay-at-home moms. This was the age of the mommy-blog, and Hatmaker struck a chord with those of us “in the trenches”, trying our best to live up to the impossibly high standards set for us, sometimes by others, but often by ourselves. With her big earrings and even bigger smile and personality, Jen felt like an example to aspire to and admire, as well as a reason to be real about one’s own failures and flaws.

I will confess, though, that while I often scrolled through her Insta and laughed and let out a sigh of relief that I wasn’t the only one whose kids were eating in front of the TV and calling it a picnic, relief and relatability weren’t the only feelings she inspired. I was sometimes overcome by feelings of envy and inferiority. It wasn’t just her life I coveted; we shared a publisher, and there were times when her level of success and reach felt so tantalizingly close, like staring over at the cool kid table, longing for someone to make eye contact and ask me to join them.

It wasn’t long into the promotion of my book that I realized the game of self-branding was not for me. I must admit, with regret and shame, that the temptation to view my family and life as a source of content rather than my primary mission in life was real. It is likely God’s grace that He didn’t allow my book sales to skyrocket or my speaking career to extend beyond the local churches of dear friends. At the time, Jen Hatmaker was a mirror into which I looked and saw my own heart’s darkness, a desire to measure myself not by how well I was completing the mission to which I had been called, but against the measure of how well someone else was completing theirs. I set aside my dreams of growing my brand as an author and sought to grow in my knowledge of the Author of my faith.

Fast-forward nearly a decade and a half to the present. I have seen Jen Hatmaker pop up on my radar now and then over the years: on HGTV, having her house renovated, coming out as gay-affirming in 2016, and the sad announcement of her divorce in 2020. By that time, my attention had shifted away from the world of women influencers. I was off social media for the most part and navigating a chaotic time in our own lives.

When, however, I saw Hatmaker had written a memoir, I was curious. Our life Venn diagrams still have a lot of overlap; we are both in our early fifties, learning to straddle the divide of parenting adults and younger kids simultaneously; we have both spoken out on political and cultural issues, though from different sides of the aisle; we both have some harsh critiques regarding the church in America.

Reading Awake, I didn’t walk away with any deep insights, theological or otherwise. I felt a deep compassion for Jen and her children, given the heartache they have experienced and had to navigate in the fishbowl of public interest and attention, though one does need to acknowledge that, for Jen’s part, this was attention she had fostered and benefited from for years. But that doesn’t make her pain less real, just perhaps more avoidable.

I have no desire to personally tear down Jen Hatmaker. And undertaking a deconstruction of her premises feels daunting given the structure, or lack thereof, of Awake. To summarize is impossible, but it does appear to me that Hatmaker has made the fatal mistake of exchanging one form of legalism for another. She notes many examples from her early life growing up and later in ministry of others casting pharisaical judgment on her, while at the same time she casts a plank-filled eye of judgment at those who do not share her political or theological perspectives. While I can certainly sympathize with the pain caused by the former, I believe it to be no more destructive than the latter. She has cast aside the prudes of the evangelical world only to cast her lot in with the puritanical progressives.

My greatest takeaway from the book was a sense of deep sadness that of all of the things Hatmaker has lost, her reliance on the Bible as a firm foundation on which to build (and rebuild) is by far the most tragic. On a much smaller scale, I understand what it is to be uprooted, to lose the part of one’s identity tied to community and public perception. I know the pain and questions that come from life-imploding, faith-threatening events. But I also know the sweet peace that comes after the storm if you anchor in the harbor of God’s trustworthiness.

I have never known the horror of marital betrayal Hatmaker experienced, awakening to the sound of her husband speaking words of love and devotion to another woman. My hope and prayer for her is that one day she will hear our Father’s voice, reminding her of His love and devotion. Then and only then will she be truly awake.

Snapshots

Brief comments on film by Amy.
Some old, some new.  Domestic films and foreign too.

Maybe it’s the spring time sunshine, but I am pleased to present an almost entirely positive set of reviews to you this month. I have more negative things to say about the previews shown beforehand than the films themselves. What’s up with showing Footloose previews before Hugo, Mr. Movie-Preview-Approval Dude?!?

Sherlock Holmes 2: A Game of Shadows — I am not much one for action-adventure films but the older boys have been bugging me to see this sequel since Christmas Day, when they returned from the theater with their dad. So over Spring Break, we lucked and found a discount theater that was showing it. Of course, one of my boys (Sam) decided he didn’t need to actually accompany me to the movie and went with his friends to see So We Bought a Zoo. Bailey went with me, but I am pretty sure that was because I almost cried. But I digress. Saw the movie, found it very entertaining. Definitely worthy of a discount theater viewing. As a side note, I may have mentioned before a Sherlock Holmes mystery series by Laurie R. King. Also very entertaining. A good beach read if you are in the market for one.

Hugo — I fear my experience of this one was a bit diminished by the fact that the kids watched it…twice, before I got a chance. So I had picked up bits and pieces while straightening the living room and emptying the dishwasher. Still, it was a beautiful film. Pure and beautiful.

The Hunger Games — So we have been waiting for this film…f..o..r..e..v..e..r! We have been making do by watching the trailers over and over. Jim even read the book in a day and half in order to go with the older boys and I to the theater. (That’s the Spiegel, or more to the point Mom Spiegel, rule—you don’t get to see the movie unless you have read the book first.) When people asked me if I liked the film, I kept saying “If you liked the book, you will like the film.” This maybe isn’t the ringing endorsement it might seem. The movie is good but it is regrettable when filmmakers cower so to book fans that they compromise the movie in order to stick with the book. Learn from Harry Potter and make a good movie that stands on its own. If you do, it will endless loop back and forth as fans of the movie are then drawn to the book and then to the movie, etc.

Crazy, Stupid, Love — Hated it and don’t really have much to say beyond that. I went in loving Steve Carell and still do, but hate, hate, hate it when as my friend said “There is a complete lack of character consistency.”

Honorable and Not So Honorable Mentions Moneyball: Enjoyed it more than I thought I would, but what is going on with Brad Pitt’s face?  Downton Abbey: Season 2: The writers scared me a bit midway through the season but they pulled it off in the end. Jim is still desperately awaiting its arrival on Netflix. I told him PBS was pulling it off their website, but did he listen?  Pillars of the Earth: Fascinating history lesson but I could have done with so much cleavage. Somehow it takes away from the horror of the raping and pillaging when all those being raped and pillaged are suspiciously attractive. Awake and Up All Night: These are my two new favorite shows. One leaves my mind teetering on the brink of confusion, the other makes me laugh so hard I pee my pants. It’s a messy but satisfying combo.

Snapshots

Brief comments on film by Amy.
Some old, some new.  Domestic films and foreign too.

Thumbs Down:

Awake: Okay, I know it’s a movie about a heart transplant patient who discovers a plot to kill him while having open-heart surgery. And okay, it stars the actor (Hayden Christensen) who somehow managed to make Darth Vader boring, but still I had some hope that this thriller would deliver vacation-worthy entertainment. Sadly, though as the implausibilities piled up like lemmings at the cliff’s end (I just googled lemmings and discovered that the whole lemming thing is indeed a myth. Bummer, but it still works for illustrations sake.) I had to resign myself to a major thumbs-down. Worth seeing through to the end but I recommend perusing Jagged Edge or Shattered if you are looking for a good thriller.

Head Scratcher:

The Happening: I look forward to a new M. Night Shyamalan movie like Paris Hilton looks forward to her next photo-op. So when Jim and I got a chance to see The Happening in the theater, I could hardly keep myself from pushing to the head of the line while shouting “M. Night, I’m coming!” We were running late so I waited for drinks and popcorn while Jim grabbed some seats. He filled me in and I settled in for the ride. The acting was so stilted I was trying to figure out if it was supposed to be a spoof. I’m still not sure. Most of the characters seemed artificial and under-developed (think chocolate chip cookie that isn’t dough but definitely not ready to call itself a full-fledged cookie). I still say that bad Shyamalan is better than most at their best but that also means I have set a higher standard for him. If nothing else, it left me wanting to rewatch his other classics.

Thumbs up:

The Virgin Spring: Where to even begin with this movie! I have long held a love/hate relationship with Ingmar Bergman. When one of his movies pops into the mailbox, I have a heavy sensation and usually put off watching it for a day or two (which is saying something for me). Even when I am watching it, I am wishing I were watching something else but inevitably I either love the movie or at least can appreciate the art of it. “Silent but deadly” would be a good description for this one. If you do choose to watch it, don’t read anything about it beforehand (except this review, of course). All you need to know is this it is Bergman at his best. The Virgin Spring questions the justice and providence of God in a way that will haunt you for days.